From idea to finished production.
Plan the sequence before you spend a credit. Direct the camera, lock the cast, cut on a real timeline, score it, and export every aspect ratio from one master.
Everything a sequence needs, on one desk.
Script, storyboard, timeline, continuity and the shot inspector — not four products passing files between each other.





Wide on the rooftop as ARIA steps into frame; city haze behind her.
85mm · 4.2sCrane up through the atrium — glass, light shafts, the watch catches sun.
24mm · 6.0sInterior night drive. Reflections travel across her face, handheld.
50mm · 3.4sDirect the shot, not the prompt.
Move, lens, intensity, light and grade are controls with names a director already uses — so a note like "same shot, longer lens, less movement" is three clicks instead of a rewritten paragraph.
Frames that hold up at full size.
Keep the same character across every scene.
Save a face, a product, a location or a look once. KINIX references it on every future shot, so scene 24 still matches scene 2 — across models, sessions and formats.
Score it in the same timeline.
Dialogue, voice, ambience and music sit against the picture — not in a separate app you export to and back from.
EN-US · warm · 0.98× rate
room tone · −24 LUFS
burned-in
−14 LUFS · streaming
EN · ES · DE · JA
One master. Every destination.
Reframing is subject-aware, so a 16:9 hero becomes a vertical cut without the product leaving frame or the titles falling outside the safe area.
From storyboard to final export.
Plan the sequence, direct every shot, and keep the cast consistent to the last frame.
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